Showing posts with label 'Act of Valor's'. Show all posts
Showing posts with label 'Act of Valor's'. Show all posts

Wednesday, October 17, 2012

Debate returns 2012 focus to fundamentals


HEMPSTEAD, N.Y. — Barack Obama did well enough in the second debate that he can rest assured about one thing: If he loses his bid for a second term it won’t be because he is bad at debates.
If Mitt Romney wins the presidency, likewise, it won’t be because in the final weeks of the campaign he revealed exciting new dimensions of his personality and record that were somehow obscured during the previous two years.

In that sense, the Hofstra University debate and Obama’s spirited performance there succeeded in stripping away atmospherics and peripheral arguments to expose the bare guts of the 2012 choice, in both its personal and ideological dimensions.
That choice is now inescapably focused—in a way it was not at the Denver debate and the flood of commentary afterward on Obama’s listless first outing —on fundamental questions.
Is Obama’s record, especially on the economy, defensible? The president defended it as effectively as he is ever going to in the face of some skeptical questions from voters assembled for the debate’s town-hall format. Romney’s hope is that no rhetorical argument from the incumbent is sufficient to mask the weak facts behind it. In a nod to that assumption, Obama showed again Tuesday that he’s far more voluble about Romney’s vulnerabilities than he is making the case for his own record.
Is the Republican nominee an acceptable alternative? If the candidate in Denver seemed to show a whole new side of himself, the one who showed up in Hempstead was entirely familiar to anyone who watched any of the 20 Republican primary debates: crisp, well-prepared, sometimes a little peevish, sometimes a little awkward. It was a stark if redundant reminder: At age 65, Romney is who he is as a politician, and his performances typically fall within a narrow range. Romney advisers feel that their candidate must do no more than clear a basic plausibility standard to exploit Obama’s weaknesses.
Along the way to his party’s nomination, however, Romney embraced a lot of orthodox Republican positions—most notably on immigration and women’s issues—and Obama was relentless in highlighting the most unpopular pieces of Romney’s primary baggage. Both men seemed as if they had been steeped for days on end in their campaign’s opposition research files.
“Clearly his advisers told him, drink your Red Bull, get ready to attack, don’t do what you did last time,” said Louisiana Gov. Bobby Jindal, a Romney surrogate, said of Obama.
The intense natural competitiveness of both men was on display. Obama was clearly helped by this, snapping-to after a first debate that must have embarrassed him. Romney was probably hurt at least a little by his competitive instincts. He jostled with moderator Candy Crowley to ensure he got the last word on several exchanges, and at several junctures seemed to act as if the evening would be scored like a real debate—with the prize going to whoever recites the most complete set of arguments—rather than as a stage to highlight which person comes off as more credible as a leader and appealing as a person.
Because of this, Obama seemed to come out ahead in the second debate, though not by the emphatic margin that Romney did in the first.
Going forward, this outcome probably helps reset the race and steer the national conversation away from theater criticism and toward more substantive closing arguments. That itself is a considerable relief for Obama, since another weak show would have turned growing unease among Democrats about a tightening race into genuine panic.
After Hofstra, it seems clear the election will not be turn on minutia, such as whether it was cockiness or the thin Rocky Mountain air that made Obama groggy in Denver, or whether Vice President Biden was appealingly forceful or unappealingly annoying with his interruptions of Paul Ryan at the debate in Kentucky.
With both nominees having turned in one strong performance, the temptation is to look to next Monday’s debate at Lynn University in Boca Raton, Fla., as the tie-breaker. Historically, however, later debates matter less than the early ones. The question is whether the first two debates have altered the basic trajectory of the race.




Saturday, February 25, 2012

'Act of Valor's' blend of reality and fiction mostly shoots blanks


Nestor Serrano, shown, is an actor, but many of the participants in "Act of Valor" are real Navy SEALs.
By Michael Rechtshaffen , The Hollywood Reporter
Setting out to be the real deal of Navy SEAL movies, "Act of Valor" goes beyond the likes of Charlie Sheen and Demi Moore with a blend of reality and fiction played out by a cast of actors and actual active-duty recruits.
But the well-intentioned stab at manufactured authenticity yields a mixed bag of results.
Although the film has its undeniably immersive, convincing moments, the merging of dramatic re-creations and on-camera “performances” proves less seamlessly executed than those masterfully coordinated land, sea and air missions.
That said, with its arrival as SEAL heroism is riding high, the Relativity release could make a serious splash with a relatively clear opening-weekend shot at targeted young-male audiences.
It also could be edited into one heck of a recruitment video.
Directed by Mike “Mouse” McCoy and Scott Waugh, former stuntmen with extensive action-sports credits, "Valor" does a sufficiently valiant job holding the fort until Kathryn Bigelow’s untitled bin Laden thriller lands in theaters in December. The film comes closer in tone to Bigelow’s "The Hurt Locker" than to "G.I. Jane" as it follows a team of SEALs initially deployed to rescue a kidnapped CIA agent (Roselyn Sanchez) in Costa Rica.


But their mission widens considerably in international scope upon uncovering a terrorism plot involving suicide bombers wearing vests filled with hundreds of ceramic ball bearings containing explosive gel.
Taking its cue from real-life SEAL operations, the script, penned by Kurt Johnstad ("300"), layers in more traditional dramatic elements depicting relationships among the men and with their families back home.
While the Intel-infused re-enactments pack a propulsive punch, the other interactions -- requiring those individuals to essentially play themselves -- tend to be more stiffly executed.
One notable exception is an energetic interrogation sequence between ranking SEAL Senior Chief Van O, a man with a bushy gray beard and wildly intense eyes, and a cool customer of a terrorist mastermind (actor Alex Veadov).
Visually, cinematographer Shane Hurlbut ("Terminator Salvation") lends the bumpy picture a unifying visceral grit, and editors Waugh and Michael Tronick ("Mr. & Mrs. Smith") keep the combat adrenaline pumping.

Productivity Hacks: How to Create a Productive Small-Space Home Office and Maintain Work-Life Balance

Working from home can be comfortable and convenient, but it can also become difficult when you don't have a dedicated office. The go...